AFVS 127H: In Motion: Painting and Drawing

Enrollment Procedure:

Please note this class is limited to 12 students, you must apply for enrollment. Every student who applies will be thoughtfully considered, and we welcome your application. If you are unsure if you have enough experience, you can still apply and can also write to us to check in about whether it is an appropriate fit. All students are welcome to apply.

To be considered for enrollment, submit your application and petition for enrollment in your Crimson Cart. We will email you to let you know if you have a place in the class. Please respond to our email ASAP to accept your place in the class. Once you have confirmed we will approve your petition in Crimson Cart, and you will be able to complete enrollment.

Enrollment TF: Julia Sharpe (juliasharpe@g.harvard.edu)


AFVS127H__image_123650291.JPG 

Julie Mehretu, Middle Grey, 2007-09, ink and acrylic on canvas

 

FVS 127H: In Motion: Painting and Drawing

Fridays from 9am-1pm
Professor: Maryam Hoseini

Full Syllabus

 

Course Description:

This studio course will explore concepts and techniques in drawing and painting through composition, form, and space, along with a study of flatness, depth, color, and surface. We will find meaning and language toward visual awareness by exploring expanded aspects of painting and drawing, in an investigation to represent the body in relation to physical space and identity. This is a process to understand how the body communicates during its displacement and movement from place to place, surface to surface and into new contexts.

Formal techniques and critical thinking skills will first be developed in 2-dimensional media, and later expanded beyond the structure of the frame into installation and performative experiments. Studio work will be complemented by guided assignments, readings, and group discussions.

 

Course Format and Expectations for Participation:

The focus of this course is first explored in drawing and continues in painting. Students will receive basic technical and conceptual instructions in each of the two mediums and will be expected to address the final project through a range of media.

Each weekly session will involve an introduction to concepts, group discussions and in-studio working time. Students will learn the fundamental concepts in drawing and painting with weekly readings, videos, and assignments. We will be working together, and you will have independent working time on your projects. Class discussions will be based on our reflections on the assigned texts and projects. Each of the three projects will be concluded by critiques in which we discuss each other’s work together.

 

Course Goals:

  • Material awareness

  • Gain comfort with experimentation

  • Increase technical and conceptual awareness

  • Develop an understanding of the relationship between materials and concepts

 

Materials & Mediums:

This course begins with a range of drawing materials that include charcoal, pencil, pastel, and ink and continues with painting supplies, concentrating on water-based materials, such as acrylic, watercolor, and ink. There will be discussions about painting and drawing materials as part of the class. The choice of materials and support surfaces (whether paper, canvas, or panel) will be considered in relation to the nature of the student’s idea and concept for their pieces.

 

Homework:

Homework is assigned weekly, and typically is a continuation of the concepts discussed in class. For each weekly discussion if readings are assigned, prepare some talking points to facilitate class discussion. Assignments are supported by relevant text, videos, and presentations. Written reflections when assigned should be submitted via email by the deadline in a word or pdf document, with your name and the reflection title in the subject line. We send an email the morning after each class with clear details of the homework and ways to prepare for the following week.

 

Slide Presentations:

There will be 2 slide presentations by students. At the beginning of the course, students will give a presentation of their past work lasting 5-10 minutes. In the second half of the semester, each student will prepare a slide presentation of work by a contemporary artist and link the work to the ideas presented in the course.

 

Final Projects:

Students will create a body of work developing ideas and subjects that we have discussed during this course, which will be presented at the end of the semester during a final group critique.

 

Attendance:

More than two unexcused absences will result in a lowering of the grade by one letter. Three or more late arrivals, early departures, and lengthy breaks will equal an absence. Religious observances and illness are excused absences and should be accompanied by the proper documentation. Students are responsible for contacting the TA and professor for information on missed assignments.

 

Grading:

Students will be graded based on the fulfillment of the requirements for each project, their written responses and level of involvement in group discussions and critique. The primary goal is to display growth over the semester.

  • Project #1: 20%

  • Project #2: 20%

  • Final Project: 40%

  • Participation in Critique: 20% (Includes actively listening, verbal and written contributions.)

 

COURSE OUTLINE:

PLEASE NOTE: This schedule and reading assignments are subject to change. All assigned readings will be indicated in the weekly assignments and when possible, will be available on Canvas. Readings are manageable and short in length, aligned with the studio work. Project deadlines will be discussed in the class.

PART 1: DRAWING

Drawing Operation
Sep 6: Introduction to The Course
Syllabus review
Materials discussion
Students questionnaire and introductions
slide presentation of student’s work
Homework (always due next class unless otherwise noted)

Drawing Operation
Sep 13: The Line, The Mark and The Surface
In class studio time
Homework:
Create drawings following this session’s concept. Read the assigned text and prepare talking points.

Drawing as Thinking
Sep 20: Experimental Drawings, Tools, and Materials
Discussion of the reading and in class studio time Observational Drawing and Negative Space Homework: Work on your Project

Drawing as Diagram
Sep 27: Experimental Drawings, Tools, and Materials
In class studio time
Individual and small group check-ins
Homework: Prepare for project #1

Drawing: Performative Space

Sep 29: Observational, Figurative and Imaginative

Drawing Challenges
Homework: (finish at least 12 drawings by next class and bring to class)

Drawing: Performative Space
Oct 6: Observational, Figurative and Imaginative
Keep working on Project #1
Homework: Finalize the project #1

In Motion: Drawing
Week 6: Group Critic Oct 13
Group Critic of Project #1
Introduction to Project #2
Homework: Start constructing for Project#2

 

PART 2: PAINTING

Narrative Construction (Forming, Informing and Transforming)

Oct 20: Introduction to Painting & Color Theory
Slideshow Presentation
Generating narrative & Construction of Project #2

Morphing, Shifting, Fusing
Oct 27: Workday on Project #2
In class studio time
One-on-one check-ins as needed

Moving Parts
Nov 3: Workday on Project #2
Work on the second painting (In color) Homework: Finish Project #2 (due 11/10)

In Motion: Painting
Nov 10: Group Critique
Group Critique of Project #2
Homework: Collect Materials for and Make Proposal for Project #3

 

PART 3: FINAL PROJECT (DRAWING AND PAINTING)

Nov 17: Work on Final Project

Individual Meetings for Final Project In Class Studio Time
Homework: Work on Final Project

Nov 24: Work on Final Project / Possible Field Trip

Small Group Check-Ins and Individual Meetings about Final Projects In Class Studio time to work on Final Project
Homework: Finish Final Project

Dec 1: Work on Final Project

Dec 8: Final Critique

 

Course Summary:

Date Details Due