GENED 1148: Moctezuma’s Mexico Then and Now: Ancient Empires, Race Mixture, and Finding LatinX
Moctezuma’s Mexico Then and Now: Ancient Empires, Race Mixture, Finding LatinX
Course Description:
This course provides students with the opportunity to explore how the study of pre-Hispanic, Indigenous and Colonial Mexican and LatinX cultures provide vital context for understanding today's changing world. The early emphasis is on the mythical and social origins, glory days and political collapse of the Aztec Empire and Maya civilizations as a pivot to the study of the sexual, religious and racial interactions of the Great Encounter between Mesoamerica, Africa, Europe, and the independent nations of Mexico and the United States. We also study how archaeology, artistic media, cosmovision, capital cities, human sacrifice and the religious devotions of ancient Mesoamerica illuminate the Day of the Dead, Virgin of Guadalupe and the search for LatinX phenomena today. We will do so through the lenses of five major concepts: 1. Cosmovision and Sacrifice; 2. Cities and Monuments as Surplus and Social Stratification; 3. Gender and Duality (race mixture/mestizaje); 4. Exchange, Pandemics and Protests (access to the gods and the goods); 5. Longue Durée (events, ideas, and symbols adapted into the biology and culture of people). Hands-on work with objects at the Peabody Museum aids in examining new concepts of race, nation and the persistence of Moctezuma's Mexico in Latino identities in the Mexico-US Borderlands. This course empowers our students to gain access to cultural and political dimensions of finding and becoming LatinX even as the U.S. is changing and struggling to define itself in relation to Latin America and especially the migration of peoples, ideas, arts, music, food from and through Mexico.
How does Mexico's rich cultural past shape contemporary Mexico and the US in the face of today's culture wars, politics, pandemics, protests and other challenges of the borderlands?This course affirms William Faulkner’s famous claim “The past is never dead. It’s not even past” by exploring how the Indigenous and colonial past is so integral to the present in Mexico and the Mexico/US Borderlands. We study how cultural differences and a shared, but contested, history play key roles in the complicated, yet vital, relationships between Mexico and the United States, now. We will explore in memoirs, archaeology, and pictorials how the origins of Mesoamerican civilization played a pivotal role in the birth, glory days, and fall of Moctezuma’s great Aztec Empire. We will do so through the lenses of five major concepts: 1. Cosmovision and Sacrifice; 2. Cities and Monuments as Surplus and Social Stratification; 3. Gender and Duality (race mixture/mestizaje); 4. Exchange, Pandemics and Protests (access to the gods and the goods); 5. Longue Durée (events, ideas, and symbols adapted into the biology and culture of people). Our class takes a hard look at the Great Encounter between the Iberian empire and Mesoamerican cities by identifying the positive as well as the tragic results of the European invasion of Mexico. We learn how warfare, religion and even pandemics, past, help us to understand pandemics, present, both in Mexico and the U.S. We begin by seeing through the eyes of the conquistadors (in Bernal Diaz del Castillo's True History of the Conquest of New Spain) as well as the voices of the indigenous scribes, warriors, and rulers (male, female, and non-binary) whose works and words survived the ordeal and transform our understanding of their world. Through monuments, art, and literature we study the astonishing formation of Colonial Mexico City and its prominent though little heralded role as an economic and cultural crossroads between Europe and Asia. Mexico's 1810-1821 Independence Movement led by Catholic warrior-priests, and the struggles of post-independence Mexico are contextualized within the framework of the globalization wrought by the industrial revolution. We survey the 1910-1919 Mexican Revolution, inspired in part by Indigenous and mestizo rebels, and the ways in which post-revolutionary Mexico--through the artistic genius of Diego Rivera, Frida Kahlo, José Clemente Orozco, and others--has led the way in embracing racial and cultural hybridity for other cultures and countries in the Americas. The disciplines of archaeology and religious studies take us into contemporary Mesoamerican and Latinx cultures. Students have often praised the way our course includes work with Aztec and Maya “objects” at the Peabody Museum which aid in examining the material expressions of daily life and cosmovision in Moctezuma's Mexico. The course has the added feature of online meetings that focus on ways Latino art, music, and dance utilize Aztec and Mesoamerican themes. Visiting lecturers include Professor Jenny Carballo on Mexican food and translator Vintle Stanzione on his new translation of the sacred Maya book, Popul Vuj. We include encounters with the music of Dr. Loco, the writings of Chicanx award winning writers Gloria Anzaldúa, John Phillip Santos, and Cherrie Moraga. The Peabody Museum's yearly celebration of Day of the Dead has always been a vital component of the course and one of many ways in which students will take their experiential learning in this course with them, for the rest of their days. We have constructed a number of ‘modalities’ within the individual class and section meetings that vary from class to class and over the course of the semester also. Professors Carrasco and Fash will be providing insight and analytical tools in their series of presentations each class and throughout the semester. Those will include PowerPoints and parts of documentaries they have been featured in as ways to explore the theme of each class session and provide the main narrative that ties each day’s lively and diverse components together. You will be asked to participate in discussions and analysis and occasional role-playing exercises in sections and in class, which are then shared with the class. We will also examine at least one important monument (or complex of monuments) each time as well. The contributions of female archaeologists, art historians, and of course Indigenous and mestiza women will also be touched upon in each class session.
Instructors and Teaching Staff:
Required Readings:
(All are available as e-books through the Files link on Canvas, or as physical copies through the Harvard Coop Bookstore at this link: Harvard Coop TextbooksLinks to an external site.) Other required readings will be posted on the Course Website (abbreviated CW on the syllabus).
Course Requirements: Students are required to attend class regularly, participate vocally and in writing in their sections. There will be several short writing assignments (1-2 paragraphs) graded as part of section participation to aid students' engagement with basic terms and meanings and encourage effective communication between students and teaching staff, a take-home mid-term essay exam (6 pages), a take-home final exam (6-7 pages), and a final creative project to be presented in section based on course themes. Grades for this course are not curved. Grades will be determined by: Attendance at Class sessions 10% Section Participation 15% Mid-Term Exam (Due Oct. 25th) 25% Final Exam (Due Dec. 16th) 35% Final Section Project 15% Grading Rubric: The Faculty of Arts and Sciences uses the following system of letter and non-letter grades to evaluate student work:
The Harvard College Honor Code: Members of the Harvard College community commit themselves to producing academic work of integrity – that is, work that adheres to the scholarly and intellectual standards of accurate attribution of sources, appropriate collection and use of data, and transparent acknowledgement of the contribution of others to their ideas, discoveries, interpretations, and conclusions. Cheating on exams or problem sets, plagiarizing or misrepresenting the ideas or language of someone else as one’s own, falsifying data, or any other instance of academic dishonesty violates the standards of our community, as well as the standards of the wider world of learning and affairs. Academic Integrity Statement: Academic dishonesty of any sort will be referred to and dealt with by the Administrative Board. Please consult the Student Handbook for information regarding academic dishonesty. Details concerning academic dishonesty in writing can be found on the Avoiding Plagiarism page provided by the Harvard College Writing Program. Use of AI Statement: Certain assignments in this course will permit or even encourage the use of generative artificial intelligence (GAI) tools such as ChatGPT, for finding relevant academic sources that are appropriate for the investigation of the topic chosen or assigned for the course requirements. The default is that such use is disallowed unless otherwise stated, and that all writing must be the student's own. Any use of GAI tools in conducting the preliminary search for sources or initial research must be appropriately acknowledged and cited. It is each student’s responsibility to assess the validity and applicability of any GAI output that is submitted; you bear the final responsibility. Violations of this policy will be considered academic misconduct. We draw your attention to the fact that different classes at Harvard could implement different AI policies, and it is the student’s responsibility to conform to expectations for each course. Collaboration Statement: Discussion and the exchange of ideas are essential to academic work. For assignments in this course, you are encouraged to consult with your classmates on the choice of paper topics and to share sources. You may find it useful to discuss your chosen topic with your peers, particularly if you are working on the same topic as a classmate. However, you should ensure that any written work you submit for evaluation is the result of your own research and writing and that it reflects your own approach to the topic. You must also adhere to standard citation practices in this discipline and properly cite any books, articles, websites, lectures, etc. that have helped you with your work. If you received any help with your writing (feedback on drafts, etc), you must also acknowledge this assistance. Academic Accommodations Statement: HDS Students requesting accommodations or with accessibility needs for this course should contact Tim Whelsky, Associate Dean for Enrollment and Student Services, as soon as possible (twhelsky@hds.harvard.edu, 617-496-8641, Swartz G28). You will need to provide him with a request of the accommodations sought and documentation of the functional limitations due to medical circumstances or a disability that substantiates your request. Students who are registered in GSAS or FAS should contact the Disability Access Office (dao@fas.harvard.edu, 617-496-8707, Richard A. and Susan F. Smith Campus Center, 1350 Massachusetts Avenue, 4th Floor). DAO letters should be turned into the head TF with indication of the student’s section leader at the earliest possible convenience, or at least one week in advance of the first assignment requiring accommodation. Religious Holy Days: Please speak with the instructor within the first two weeks of the semester if you must miss a class, examination, or course requirement due to a religious observance. Please know that Massachusetts state law specifies that all students who must miss a class, exam, or course requirement because of a religious observance shall be provided with an opportunity to make up the requirement on another day, so long as this does not create an unreasonable burden for the school. ------- Why is this a Gen Ed course? What Gen Ed requirements does Gen Ed 1148 fulfill? The goals of Gen Ed courses are “to connect in an explicit way what students learn at Harvard to life beyond Harvard, and to help them understand and appreciate the complexities of the world and their role in it.” Histories, Societies, Individuals courses engage questions of identity and social change, helping you understand the histories and traditions that you will encounter in a global context. Moctezuma’s Mexico is a Gen Ed course because we will be addressing a series of important questions and topics across time periods ranging from prehistory through the present, including:
--- Course Syllabus: Part 1. Conquest or The Great Encuentro Week 1, 9/4, Introduction: Moctezuma’s Mexico Then and Now: Race Mixture and Finding LatinX Lecture 1 – Introduction to Course: 9/4-- Spaniards, Maya, and Mexicas in a Strange New World: The Center and Periphery Model and its Relevance for Harvard Students Readings: Major Concept 1- Cosmovision and Ritual Sacrifice
Week 2, 9/9 and 9/11: Great Encounters: Spaniards, Aztecs, Mayas, and Us Lecture 1 – Great Encounters and Great Traditions: Spaniards and the Periphery of the Aztec Empire Lecture 2 - The Problem of Knowing: Strangers in a Strange Land Readings: Major Concept 2 – Cities and Monuments as Surplus and Social Stratification
Optional
Week 3, 9/16 and 9/18: Journey to the Center of the Aztec World Lecture 1 – Cities as Symbols: Tenochtitlan as the Center of Desire and Wealth Lecture 2 – War of the Worlds: Gender, City, Exchange Readings: Major Concept 3 - Gender and Duality
Optional:
Part 2. Religion and Archaeology of the Great Aztec Temple Week 4, 9/23 and 9/25: The Aztec Revolution and the Rise of Tenochtitlan: Myths of Aztlan and War Gods Lecture 1, 9/23 – Myths and Rites of Human Sacrifice Lecture 2, 9/25 – Aztec Tenochtitlan as a Cosmic Symbol and Seat of Empire Readings: Major Concept 4 – Gift Exchange and Tribute
Optional:
Part 3. Origins of Civilization and Sacred Narratives Appropriated by the Moctezumas and Descendants: Week 5, 9/30 and 10/2: The Archaeology of Eating and Drinking in Ancient Mexico.
September 30 and October 4: Guest Lectures: Tacos, Tamales and Tequila: Foodways of ancient and modern Mexico (Dr. Jenny Carballo) Readings: Reading for 9/30:
Readings for 10/2:
Week 6, 10/7, 10/9: Sacred Mountains, Monuments, and Cosmovisions: Tula and Teotihuacan October 7: Indigenous People’s Day, Federal Holiday (no class) October 9: Aztec Appropriations of Toltec (Tula) History, Myths, Monuments and Symbols (The Aztecs and Teotihuacan, City of the Gods: the longue durée) Readings: Major Concept 5 - Longue Durée
Week 7, 10/14 and 10/16: Sacred Spaces to Pilgrimages on Benito Juárez Day Lecture 1 – Sacred mountains, processions, and identity: from the volcanoes to Guatemala to processions and pilgrimages of Benito Juarez Lecture 2 – Gone but not forgotten: Aztecs and Identity in Moctezuma's Mexico, Now Readings:
*Take Home Midterm Exam - handed out Oct 20, DUE Oct 27*
Prepare for DAY OF THE DEAD CELEBRATIONS AT PEABODY MUSEUM NOVEMBER 2
Part 4. Finding LatinX in Many Places: Roots and Resistance Week 8, 10/21 and 10/23 Lecture 1 - Popul Wuj Lecture 2 - War of the Castas Readings:
10/25 MID-TERM EXAM DUE Week 9, 10/28 and 10/30: The Day and Places of the Dead, Then and Now: Lecture 1 - Death and Days of the Dead, Then, in ancient Mexico Lecture 2 – The Day of the Dead, Now, in Mexico, the Borderlands, and Harvard Readings:
Part 5: Mestizaje and Finding Latinx Again Week 10, 11/4 and 11/6 Race Mixture, Castas, Gender, and Indigenous ‘New Worlds’ Lecture 1, 11/4 – Race Mixture, Castas and the Mulatto Mistress and Mother Lecture 2, 11/6 – The Virgin of Guadalupe and Latinx Families Readings:
Week 11, 11/11 and 11/13: Latinx Moctezuma: Pulling on Lineage and Feminist Revolts and in the Mexican Americas Lecture 1, 11/11 – Extraordinary Female Writers: Sor Juana Inés de La Cruz and Gloria Anzaldua Lecture 2, 11/13 –Places Left Unfinished at the LatinX Creation- Guest Lecture-John Phillip Santos Readings:
Weeks 12- 11/19-25: Mexico Profundo and La Malinche-Course Summary Lecture 1, 11/20 - Mexico Profundo and the future Lecture 2, 11/27 - La Malinche as Culture Hero Readings:
Week 13- 11/27, 11/29: Student presentations 11/27, 11/29 - Class Presentations *Take Home Final Examination, Distributed by Dec. 6, DUE Dec. 18* |
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Course Summary:
Date | Details | Due |
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Sun Oct 13, 2024 | Assignment Week 6 Section Assignment | due by 11:59pm |
Fri Oct 25, 2024 | Assignment Midterm Exam | due by 11:59pm |
Sun Nov 10, 2024 | Assignment Creative Project Proposal | due by 11:59pm |
Wed Nov 27, 2024 | Assignment Creative Project Presentation | due by 11:59pm |
Mon Dec 2, 2024 | Assignment Lecture Attendance | due by 11:59pm |
Assignment Section Participation | due by 11:59pm | |
Tue Dec 3, 2023 | Assignment Final Creative Project | due by 11:59pm |
Mon Dec 16, 2023 | Assignment Final Exam |